massive passive LP/HP/LOWCUT

Features:
- 6dB, 12dB, 18dB LP
- 4,8kHz, 2,2kHz, 1,6kHz, 1kHz, 720Hz, 480Hz
- 6dB, 12dB,18dB HP
- 1kHz, 720Hz, 480Hz, 330Hz
- 18dB LOWCUT
- 220Hz, 160Hz, 100Hz, 72Hz, 30Hz
- 32x 3,5mm Inputs
- 32x 3,5mm Outputs
- for Audio signals
Comes with 3mm Aluminium black front panel with signal white print
and BEFACO KNURLIES.
It´s passive! Sounds great!
Be aware of signal attenuation.
Works great with every mono audio signal:
- BD
- FM
- BASS SOUNDS
- LEADS SOUNDS
- MONO FX SEND
- L R MS MS LR
Just patch, listen and smile.
It´s passive.
Get the most out of your existing eurorack system with massive passive LP/HP/LOWCUT.
massive passive LP/HP/LOWCUT
PATCHING EXAMPLES:

Use massive passive LP/HP/LOWCUT with L R MS MS LR module.
Before you VCA side signal, get rid of low end.
Just patch!
Use massive passive LP/HP/LOWCUT with L R MS MS LR module.
Add MULTIPLE, SWITCH, MIXER.
Patch, listen, may be gain.
Switch between original M and filtered M signal.
Great for breaks!
Use massive passive LP/HP/LOWCUT for FAKE-STEREO signals.
Add MULTIPLE to MONO SIGNAL, Duplicate signal,
patch one signal to a stereo channel, e.g. L channel
and the other signal to massive passive LP/HP/LOWCUT, may gain signal
and patch it to stereo channel, R channel.
LISTEN!
You´ll get a hard panned stereo-signal with phase-shift, frequence cut and signal attenuation on one side.
USE a LR MS MS LR module, enhance side signal (S) and use a CV controlled filter on orignale mono signal going to stereo channel.
You will hear a movement in stereo-field, depending on your CV controlled filter settings. Play with resonance…
Great for use with flip-sides, flip-sides active, TIME TO SWITCH!
Use massive passive LP/HP/LOWCUT on BD, BASS sounds!
Add Multiple, Switch, Mixer:
Kill some low ends on demand.
Great for breaks.
Use massive passive LP/HP/LOWCUT with mono/stereo FX inputs.
Kill some low ends and hear the difference.
Use massive passive LP/HP/LOWCUT with white noise.
Now you can use one sound source to easily make hi-hats, snares with little help using ENVs and VCAs.
I designed it for making waves at the beach by simply separating 4 frequence bands from white noise and use FRAMES to animate VCAs and apply CV panning with different LFOs after it.
Sounds really great!